It has a substantial grip and a top button layout similar to what's found on many mirrorless cameras, which should improve handling over the original. The camera's body is made from a carbon fiber polycarbonate composite to keep it both sturdy and light. Power comes from a standard Canon LP-E6 type battery, and there's a locking DC power connector that protects the camera from being accidentally unplugged. In addition to the USB-C port, there's also a full sized HDMI port that can output clean 10-bit video, a mini XLR input with 48v phantom power for audio, 3.5mm audio input, and a headphone jack.

It seems like a brilliant, if not obvious, use for the USB port. This means it should be possible to go directly from shooting to working on your computer without transferring data from cards. Blackmagic claims it's the first camera that will let users connect media, like an SSD, directly to the camera's USB-C port for direct external recording.

What's potentially more interesting, however, is the option to record externally using the camera's USB-C port. Various internal recording media are supported including standard SD cards, UHS-II cards, and CFast 2.0 cards. The Pocket Cinema Camera 4K is built around a Four Thirds sensor with dual native ISO and a native DCI 4K (4096x2160) resolution, and will record DCI 4K at 60 fps and windowed HD (a native 1080 crop) at up to 120 fps in either 10-bit ProRes or 12-bit Raw formats. Video shooters will be happy to know that it's a significant upgrade at a very aggressive price point. Blackmagic finally announced the sequel many were waiting for, the Pocket Cinema Camera 4K.

While it delivered high quality footage, many users acknowledged that it felt like a version 1 product, including frustrating issues like fussy behavior, short battery life, and inelegant ergonomics and controls.Īt NAB in Las Vegas, Blackmagic finally announced the sequel many were waiting for: the Pocket Cinema Camera 4K. Way back in 2013, Blackmagic Design introduced the Pocket Cinema Camera, a compact camera with a Super 16 sensor that promised cinema recording quality in a body about the size of a Sony a6500.

Blackmagic design production camera 4k